Showing posts with label New Fiction releases. Show all posts
Showing posts with label New Fiction releases. Show all posts

Wednesday, September 12, 2018

Review of No Good Deed by Victor Gischler

Image of No Good Deed: A Thriller
Author: Victor Gischler
Release date: September 4, 2018
Publisher: Tor Forge Books
Pages: 256
"Francis could see only the vague outline of her in the darkness, but it seemed as if her head was cocked, listening. A few seconds later, she blew out a sigh, seemed satisfied, and flipped on the light switch. ‘I need my suitcase.’ She wasn’t what Francis had pictured.”
Francis Berringer is a minor cog in a corporate machine. His girlfriend just left him. He can’t tie his tie straight. His life takes a sudden turn when he’s running late for work one morning and stumbles across a suitcase full of women’s clothes and an odd business card with only an email address on it. He knows he shouldn’t get involved but can’t resist. He sends a message to the email address and arranges the return of the suitcase. The way Francis’ life is going, he could use a little karma, so why not do a good deed?
“A blinking red flag on his computer monitor caught his attention, a message in his in-box. I have your office address. I’m coming for the suitcase. Do not contact me via this email again. Ghost Girl. He sighed. You have a way with the ladies, Francis.”
And then the girl shows up, a slender good looking blond, nose ring, tattoos, bomber jacket, army boots, and all. Berringer is intrigued by the attractive stranger and soon finds himself dodging bullets and doing his best to stay alive, wishing he’d never bothered with that suitcase in the first place. A muscle car, automatic pistols, and a girl with a secret. Francis doesn’t have a lot of experience with these things, and all he knows is that the bad guys are after him and the good guys are, too.
Victor Gischler’s writing spans multiple genres—crime thrillers, satirical science fiction, and epic fantasy. Gischler’s debut novel Gun Monkeys (2001, Dell) was nominated for the Edgar Award, and his novel Shotgun Opera (2006, Dell) was an Anthony Award finalist.
No Good Deed tells the story of a regular guy who tries to do the right thing but finds himself in an unexpected situation. Who doesn't root for a down-on-his-luck, reluctant good guy protagonist who’s unwittingly mixed up in a mystery? Toss in a good-looking woman who’s filled with secrets, throw in a gang of criminal hooligans, and a cold-hearted antagonist government agent and you’ve got the recipe for a fun and rewarding read.
“The squeal of tires and the roar of an engine drew Francis’s attention. His head snapped around to see a black sedan rounding the corner behind him. It gunned the engine again, bearing down with alarming sped. ‘Run!’ The girl sprinted ahead, not even waiting to see if Francis followed.”
Overall, Gischler’s writing style is fast-paced, humorous, and loaded with thrills and chills. The plotline is dynamic and chock full of edge of your seat surprises. This gripping, free-wheeling joy ride of a whodunnit invariably leaves the reader unabashedly cheering for the heroes and jeering the villains.
Michael Thomas Barry is a staff reviewer for the New York Journal of Books and the author of eight nonfiction books.
This review first appeared at the New York Journal of Books on September 10, 2018 - https://www.nyjournalofbooks.com/book-review/no-good-deed

Tuesday, May 30, 2017

Review of "The Sixth Victim" by Tessa Harris

book cover of 

The Sixth Victim

Release Date: May 30, 2017
Publisher: Kensington Books
Pages: 304
Buy the book from Amazon - https://www.amazon.com/Sixth-Victim-Constance-Piper-Mystery/dp/1496706544/ref=sr_1_1?ie=UTF8&qid=1496189904&sr=8-1&keywords=tessa+harris

The Whitechapel district of London’s East End in the latter decades of the 19th century was a popular place for immigrants and the poor working class. During the late summer and fall of 1888 its foggy lanes became the nighttime hunting ground of one of history’s most notorious serial killers, Jack the Ripper. No woman was safe.

“There’s blood in the air. Again. They’ve got the scent of it in their nostrils and they’re following it, like wolves honing in for the kill. Only the killing’s already done. It’s the third in a month here, in Whitechapel, and the second in little more than a week and everyone’s in a panic.”

Flower girl Constance Piper is not immune to dread, but she is more preoccupied with her own strange experiences of late. Clairvoyants seem to be everywhere these days. But are such powers real? And could Constance really be possessed of second sight? She longs for the wise counsel of her mentor and champion of the poor, Emily Tindall, but the kind missionary has gone missing.
Following the latest grisly discovery, Constance is contacted by a high-born lady of means who
fears the victim may be her missing sister. She implores Constance to use her clairvoyance to help solve the crime, which the press is calling "the Whitechapel Mystery," attributing the murder to Jack the Ripper. As Constance becomes embroiled in intrigue far more sinister than she could have imagined, assistance comes in a startling manner that profoundly challenges her assumptions about the nature of reality. She'll need all the help she can get—because there may be more than one depraved killer out there.

Tessa Harris is the acclaimed author of the Dr. Thomas Silkstone Mysteries, which includes Secrets in the Stones and The Anatomist’s Apprentice. In her new novel, The Sixth Victim, Harris delves into “Ripper” lore with the first rendering of the Constance Piper Mystery series.

The novel is set in 1888 as Jack the Ripper has just begun his reign of terror. The storyline alternates between two perspectives, Constance’s and Emily’s. Constance lives in Whitechapel and comes from a poor family; she and her sister make money by stealing from the rich. Emily Tindall is from a good background; she is a Sunday school teacher and has taken Constance under her wing, teaching her to read and showing her a life far removed from her own.

Although The Sixth Victim shadows the murders of Jack the Ripper, the main story is Constance’s search for Emily who seems to have gone missing and how her psychic abilities slowly, and much to her astonishment, grow. Constance is also approached by a lady from the upper classes who fears her sister has been victim of the “Ripper.” The lady asks for Constance’s help in solving the mystery.

With The Sixth Victim, Harris has managed to create a very colorful and sometimes horrifying image of Whitechapel, showing a stark distinction between the lives of the less-fortunate residents of London’s East End to that of the more well-to-do who live in the grand houses and hotels of London. It was easy to imagine the sights and sounds of the area and understand why the women of that time lived in constant fear.

“This may be swanky Piccadilly, where the ladies and gents dress up to the nines, and it could be a million miles away from Whitechapel, but still heart’s beating twenty to the dozen and my mouth’s dry as sandpaper. Bold as brass they were, all cocky and brave. And they can be, ’cos they’re not the ones he’s after. He’s after girls and women who work on the streets. The ones who are out at night, drinking their gin by the gill, so they don’t feel the pain as much; so they don’t have to think on what they’ve become.”

In the Author’s Notes at the beginning of the novel, Harris admits that she is not an expert in “Ripperology” and readily concedes to being an amateur in the field of Jack the Ripper studies. She also states that she has “no wish to contribute to any debate as to the identity of the killer, or killers, in Whitechapel of the late 1800s.” She declares that her purpose in writing this book was “purely to explore the grisly episodes in a fictitious context.”

Overall, The Sixth Victim is well written and will most definitely satisfy readers who enjoy historical fiction and murder mystery. Be warned, if you aren’t into gory descriptions of Ripper style murders this probably isn’t the book for you.

In general, the characters have significant layers of complexity and humor. They are well formed and realistic, and the plot comes together in a logical manner. Constance, the main character, is courageous, moral, curious, and keen to better herself. She’s an amateur sleuth with psychic capabilities who has lots of potential to carry the series forward.

Tuesday, May 9, 2017

Review of "The Girl Who Knew Too Much" by Amanda Quick


Anna Harris is the private secretary to wealthy New York socialite, Helen Spencer and for the past year has lived a fast paced life filled with glitter and glamour. This lifestyle is horrifyingly shattered when she stumbles upon the body of her boss, who has been brutally stabbed to death.

“There was blood everywhere in the elegant, white-on-white boudoir. It soaked the dead women’s silver satin evening gown and the carpet beneath her body.”

A menacing warning, “Run,” has been written with victim’s own blood on the wall, and in that moment she knows that the idyllic life she has been living was a deception. Fleeing the scene, she drives across country to Los Angeles, where she attempts to find peace and security. She changes her name to Irene Glasson, which she thinks has a “Hollywood ring to it” and accepts a position as a cub reporter at Whispers, a small tabloid newspaper.

Her quiet life is shattered when murder follows her west. A hot lead about a lured affair between up-and-coming actor, Nick Tremayne and starlet Gloria Maitland takes Irene to the lavish and private Burning Cove Hotel, 100 miles north of Los Angeles.

Arriving for the midnight appointment, Irene finds her source, Gloria Maitland, dead at the bottom of a pool. Once again she finds herself fleeing the scene of a murder, but this time Irene is determined to prove the drowning was not an accident. She partners with Oliver Ward, formerly a famous magician and now the mysterious owner of the hotel to discover why this woman may have been silenced. Seeking the truth, they both soon learn that the glamorous paradise hides dark and dangerous secrets.
“And that past, always just out of sight, could drag them both down.”

Amanda Quick (Jayne Ann Krentz, who also writes as Jayne Castle), has written more than 50 New York Times bestselling novels. In her newest release, The Girl Who Knew Too Much, Quick transports readers back to the golden age of Hollywood and through clever plot twists unmasks the gritty realities that hide behind tinsel town’s glitzy facades.

The Girl Who Knew Too Much is a solid murder mystery, although not one of Quick’s best efforts. It is ripe with details and dialogue. Its short chapters accelerate the story forward at breakneck speed. Main protagonists, Irene and Oliver, are amiable but aren’t easy to attach to. Both are complex characters, so it takes some time to get to know each of them. There are several confusing storylines and trying to keep track of it all is not always easy. Some of the villains you know right away and some are surprising.

Nonetheless, The Girl Who Knew Too Much is a fun, spunky, read that contains plenty of simmering sexual chemistry, which will most definitely satiate the most ardent fans of Amanda Quick. Although it’s a little bit anti-climactic once it’s over, lovers of romantic historical murder mysteries will enjoy the suspense, characters, and atmosphere of old Hollywood.